Les Grands Pins

Les Grands Pins

Brigitte Thériault. Traditional photography

Florida, USA. 2002

• Collection: The Soft Parade
• Limited Edition: 4
• Available: 3

Options_Descriptions:

Reproduction

• A- Art print, archival matte paper Photo Rag 308,  Epson 9800 printer, pigment inks
• Identification: the signature and identification are common and printed at the bottom of the image.

Limited Edition

* For limited editions of 4, only large formats of 28 x 36 and larger are available

• C- Art print, archival matte paper Photo Rag 308,  Epson 9800 printer, pigment inks
• D and E- Art print, matte archival paper Photo Rag 308, floating frame 1.5 inches thick with 0.5 inch flap on front, maple wood(natural white or black). The photographic print is floating inside the frame. Plexiglass glossy or matt.
• F and G- Photographic print, 1.5 inch thick frame with 0.5 inch front flap, maple wood(natural white or black), Diasec mounting. Plexiglass glossy or matt. 
• H and I-  Photographic print, 1.5 inch thick flush mount frame, Russian cherry wood (natural white or black), Diasec mount. Plexiglass glossy or matt. 
• Diasec is a process that guarantees the preservation of photographs from aging. The photographic print is made with an ink jet and glued on a masonite support, then covered with a sheet of glossy or matte plexiglass, which protects the work without altering the colours or the appearance of the paper. 
• Authentication: the photographic work of art is signed, identified, numbered and accompanied by a certificate of authentication.

*Choice ofcolour: for wooden frames, please indicate your choice of colour in the "Special Ordering Instructions" box at the bottom of your basket.

• Each photograph was taken with a traditional Pentax Asahi medium format film camera, and various 120 films.
• I collaborate with artisans in Quebec City and Montreal to produce my paper prints and frames.

Artistic approach

Artist-photographer Brigitte Thériault does not reduce her field of action to a discourse on photography. An impressionist artist, she subjects her photographic eye to the film, cultivating raw instinct. 

As a globetrotter, she strives to capture the beauty of a landscape, of a fleeting moment caught on the sly, her work is resolutely aesthetic, she approaches photography like a painting. This thirst for wild freedom, this quest for the sublime and the ideal, so dear to romantic minds, is revealed in her series "Vivia" and "Pastel", two series that oppose light and darkness, lost paradise and realism, languor and happiness, solitude and family. Moreover, the sublimated nature, these great desert spaces, these winter clouds on summer impression, these blurred added to increase or disguise the reality give to see works which constantly defy the beauty, it borrows from the nature by beam, by flash, without ever perverting it. - Michaël Lachance, Canadian art critic, essayist. 2015

Packaging and protection

Art print/archival paper: to avoid damage in transit, each piece is carefully wrapped with tissue paper and covered with cardboard or bubble wrap. The photographic print is then sent either in a sturdy envelope or a rigid cardboard tube.

Wooden frame: Each frame is fitted with 4 corners of strong cardboard and covered with bubble. It is then protected with rigid cardboard or wooden sheet, depending on the size of the piece and the place of shipment.

Delivery

Production and delivery times are 15 to 30 days